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Well, it seems odd considering all that is going on these days, but we started moving forward on the new DBi3 album. Erika pointed out that once she and I get to Boulder, it'll be a bit of a trek for the current band to get into my studio, so for the past two days, I've been tracking Talia on "In the Meantime" and "By the By." As you can see, the "studio" is a bit makeshift, but the sound is surprisingly good for the surroundings.
Guitar, vocals and percussion for "In the Meantime" were already tracked for the most part; I just had to add the new "she loves to be his wife..." all-stop and slow section. The recording of "By the By" I had previously recorded was too slow (at 151 bpm), "undanceable," as Talia pointed out, so I re-tracked the vocals, guitar, tambourine, shaker and drums at a much more upbeat 161 bpm. Now y'all can shake your groove thangs when you hear it.
For Talia's cello, I'm using an AKG 414 aimed directly at the body just above the bridge and run directly into the MOTU 828; I'm also using an AKG C411PP run hotter than the 414 and then run through my Aphex 207 with the "MicLim" function engaged. That C411PP is a great pickup... but make sure you get the "PP" (normal sized XLR) not the "L" (mini XLR) if you're in the market for a condenser for your stringed instrument; I've heard horror stories about the tone of the "L."
Who knows how this "lighting a fire under my ass" will affect the release date of the next album? I've got about 9 songs intended for this project written and with rough tracking, but considering the fact that I'm about to pack up the studio and move it 1,200 miles West, I have a hard time believing that I'll be able to finishing anything up soon. Maybe I can get a couple songs cranked out to final format before the big tear-down though. ...
Sometime, you gotta just sit back and say: "Damn... Daft Punk RULES!"
ps Panda Bear doesn't rule. What's up with ripping off all the bad parts of The Beach Boys? I mean, I love Pet Sounds as much as the next guy, but in what way is it cool to rip off a band so blatantly? Boo to Panda Bear.
My arms hurt from coding/designing. Thank the MCP for my Zero Tension mouse. While it has it's problems, it's all but eliminated my ulnar nerve strain. My neck still hurts though (turns out this Microsoft keyboard is so damn wide, you have to strain your shoulder/neck to use a mouse --let's start a revolution and get that number pad moved to the left side!).
Handclapper Dave recorded the WPGU live performance with his trusty boom box (circa 1987). After I figured out what the rectuangular plastic housing containing two wheels and a long string of dark ribbon was (a "cassette," it turns out), I converted it to MP3, and it's now posted on the MySpace page for your listening enjoyment.
... Part of the fun of performing live music is all the surprises that come down the pike: what bands you get put on a bill with, where you play, what kind of crowd is at the venue, how the venue treats you, etc...
Last night we played a show at The High Dive in Champaign, IL. I thought it would be, as the name implies, kind of a dive. Wrong. It was actually one of the nicest places I've ever played. It was clean. It was well laid out (a large bar in-the-round that wraps around a two-story wall that divides the venue, stage and plenty of space on one side, lounge and booths on the other side, pool tables upstairs, large smoking deck out back). The lights were great and run really well (good balance between ambience and spots). And probably the best sound system I've ever heard in a place that size (probably around 500-600 capacity). There was great equipment, but the caliber of the audio was largely due to Jimmy, the sound guy. He really knew what he was doing. That was awesome. How many times do you tell the sound guy what you need in the monitor and he just says, "Sorry, can't do that." Not Jimmy. He pulls cords and makes it happen. And he actually spent time eq-ing the lows on Talia's cello to minimize feedback. Killer.
The other suprise was the "genres" of the other bands. Especially when you're new in town, you get put on bills that don't necessarily reflect the style of your music. Last night was one of those gigs. And I don't mean for that to come across as a bad thing. Sometimes it's really fun to get pushed out of your boundaries. You make new friends. You make new fans. It's part of the beauty of live music.
We opened the night to a pretty small crowd. That kind of comes with the territory of being the early evening opening act, but last night it was particularly bad as "unofficial" (a campus wide drinking holiday that the UIUC crowd really goes in for) did a number on our numbers. Anybody in the student crowd who would've been coming to see us play had likely started drinking at 9am, so were in no shape to walk, let alone get across town to the High Dive. But the sound was fantastic, we played a tight set, and those who were there really dug it (and Andy and Jodi finally made it out to a show!)... a great experience and one that I hope we can repeat on another night that doesn't conflict with the campus's largest drinking holiday.
After us was a band called The Fuz. They were definitely very, very "jammy." Their set lasted nearly an hour, and I think they played maybe five songs. But they were good at what they were doing, they were definitely having fun, and they brought out a good crowd that was obviously there to see them. It's been a while (the days of shooting photos for John Mullins Band) since I've been in that type of a patchouli/hemp fueled throng. ps The guitar player looks exactly like George Michael, Jason Bateman's character's son from Arrested Development.
The second band was the VilleBillies from Louisville, KY. I had heard a couple of their songs on MySpace, and I was thinking kind of "Kid Rock meets Limp Bizkit," but seeing them live caused me to rethink that. There were ten guys on stage. That in itself is a force to be reckoned with. They've got kind of a "southern rock with rap" thing going. To re-label the previous hybrid mentioned, I'd say they were more like a cross of Lynyrd Skynyrd and Eminem with a little Rage Against the Machine thrown in for good measure. And I actually mean that in a good way. They played music that had the "you must sing along" feel of classic southern rock, but the chest thumping crowd pumping drive of "new" rap. It really won the crowd over. I could see them totally ripping up a huge crowd at an outdoor festival. The bass player had a six string bass, and was definitely a driving factor in their music. They used a lot of loops and the drum machine, but the drummer kept it going throughout, and he was no slouch. Adam was probably my favorite. He played the acoustic guitar and the banjo, and definitely added the southern flavor to the stage presence. Not necessarily the kind of music I'd listen to at home, but damn they were fun in a club setting.
The last band was Eclectic Theory. You wouldn't believe me if I told you, so I'm just going to post a clip I video'd with my phone at the show (turn your audio way down; it's "concert volume" captured with a phone, so the audio is less than stellar).
Michael Davis just sent me a link to a couple of the photos he took at the CD release Feb. 11, at the Canopy Club. I love the fact that there's a band to look at. Thanks for snapping, Michael.
I haven't had a whole lot of time to record new music lately, as I'm trying to catch up on all the "money-making" that didn't happen while I was recording the album (http://www.waldenholdings.com/, http://www.acompleteseasonofsoccer.com/, etc...). The absence of writing music is killing me, but we've got a show March 2, at the High Dive, so that should help abate my woes.
Driving to Elmhurst Saturday morning, we took Lake Shore Drive and had Sufjan Stevens', Illinoise going on the iPod. The snow was tinkling down on an angry Lake Michigan. The waves, the grey, the city... it was gorgeous. How great that there's actually a soundtrack for that vision now. Thanks, Sufjan.
Evidently I'm really bad at keeping a blog. It's not that I'm lazy, it's just that there are so many other things to do. Anyway...
NEW SHOWS!!March 2 at the High Dive and April 7 at The Iron Post.
We're also starting to look for a good Columbus, OH CD release date and another for Anderson, IN.
The CD release at the Canopy Club went really well. Thanks to all who came out, supported us live, and bought the new album. We had a great time. It was nice meeting Michael Davis and Doug Robinson and his possie. All great people.
It's been snowing a lot. I shaved my beard. I'll probably grow it back.
Well, it seems odd considering all that is going on these days, but we started moving forward on the new DBi3 album. Erika pointed out that once she and I get to Boulder, it'll be a bit of a trek for the current band to get into my studio, so for the past two days, I've been tracking Talia on "In the Meantime" and "By the By." As you can see, the "studio" is a bit makeshift, but the sound is surprisingly good for the surroundings.
